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"Pool of Bad Luck" continues the quintessential funky groove, and on "If", Simon's plaintive baritone soars. "I Found My Dad" is an interesting deaprture from the rest of the album, and it remains catchy and rousing. The title track was pure Philly sound, an early Gamble-Huff production that paid off with a #3 spot on the Billboard R&B charts. "Drowning in the Sea of Love" was Simon's most cohesive album, though still very eclectic in presentation. In his impressive career, Simon began by crooning honey-touched ballads, went on to help establish the genre of country-soul (and remains one of the few true, great country-soul singers), segued over into R&B, and then saw his career descend too quickly after a groundbreaking (but ill-fated) movement to disco. Though, a collaboration she did with Blue Magic "Whats Comes Over Me," rates with anything here. If I could only afford to buy one Margie Joseph album, this would be it, her later sides on Atlantic, and other labels are slicker and not as raw as these tracks. A rare commodity, Margie's a soul singer that never over sings, or embellish lyrics with vocal tricks. Other selections are typical deep soul selections elevated by Joseph's sincere, earthy singing. Love," from a whining plea to an awesome deep soul demand, introduced by a no nonsense woman to her man rap it stretches out ala Issac Hayes into a heart stopping arrangement filled with passionate singing by Joseph, and the backing voices. Makes a New Impression was actually a fair seller, making number 67 on the pop charts and number seven on the soul listings, and containing an extended cover of "Stop! In the Name of Love" that was a small R&B hit.īriggs transforms "Stop. Although Margie Joseph Makes a New Impression was cut in Memphis and Muscle Shoals, some orchestral and vocal overdubs were done in Detroit, perhaps accounting for some of the Motown feel. Like some of Stax's product from this era, there's a Stax-meets-Motown air to much of the material. Sly and the family stone greatest hits 1970 rar cracked#The following year, she cracked the RB Top 40 with a cover of the Supremes' classic "Stop In the Name of Love," boosting sales of her fine debut LP, Margie Joseph Makes a New Impression, in the process. ![]() Producer Freddy Briggs took the helm for Joseph's, "Your Sweet Loving" released in the summer of 1970, the single proved a minor RB chart hit. Sly and the family stone greatest hits 1970 rar series#The stop-start opener "Help Somebody," the deep funk extravaganza "Moment of Truth," and the sweet ballad "Love Is Life" were unified in their pursuit of positivity, while even the potentially incendiary title "Fan the Fire" was revealed in a peaceful context: "The flame of love is about to die/Somebody fan the fire." And the instrumental closer, "Bad Tune," is hardly a cast-off the furious kalimba work of Maurice White and wordless backing vocals combine to create an excellent piece of impressionist funk.ĭownload Link : earth_wind_and_fire-1970-earth_wind_and_fire.rarįrequently compared to Aretha Franklin, singer Margie Joseph earned neither the fame nor the critical success lavished upon the Queen of Soul, but a series of excellent records for Atlantic during the 1970s nevertheless won her a spot in the pantheon of soul cult favorites.Ī great second generation southern soul singer who really helped the label find a new sound in the 70s! Margie got her start on Stax, but she sounds even better here - a bit more mature, slightly more urban. Unlike the work of most early funk bands, the songwriting was as strong and focused as the musicianship the record boasts a set of unerringly positive compositions, reflecting the influence of the civil rights movement with nearly every song urging love, community, and knowledge as alternatives to the increasing hopelessness plaguing American society. ![]() Already fluent with the close harmonies of the classiest soul groups, the deep funk of James Brown, and the progressive social concerns and multiple vocal features of Sly & the Family Stone, the group added (courtesy of auteur Maurice White) a set of freewheeling arrangements, heavy on the horns, that made Earth Wind and Fire one of their finest albums - the artistic equal of their later hits, if not on the same level commercially. The debut for the nine-member Earth, Wind & Fire was as assured as that of any rock band from the '60s and early '70s. ![]()
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